The Old Drift by Namwali Serpell

The Old Drift

Namwali Serpell

From forbidden love affairs and fiery political ones, to homegrown technological marvels, this gripping novel sweeps over the years and the globe, subverting expectations along the way.

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“A dazzling debut, establishing Namwali Serpell as a writer on the world stage.”—Salman Rushdie, The New York Times Book Review
 
Clear-eyed, energetic and richly entertaining.”—The Washington Post
 
1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives—their triumphs, errors, losses and hopes—emerge through a panorama of history, fairytale, romance and science fiction.

From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines, this gripping, unforgettable novel is a testament to our yearning to create and cross borders, and a meditation on the slow, grand passage of time.
 
Praise for The Old Drift

“An intimate, brainy, gleaming epic . . . This is a dazzling book, as ambitious as any first novel published this decade.”—Dwight Garner, The New York Times
 
A founding epic in the vein of Virgil’s Aeneid . . . though in its sprawling size, its flavor of picaresque comedy and its fusion of family lore with national politics it more resembles Salman Rushdie’s Midnight’s Children.”—The Wall Street Journal
 
“A story that intertwines strangers into families, which we'll follow for a century, magic into everyday moments, and the story of a nation, Zambia.”—NPR


Advance Galley Reviews

Only made it about halfway through before my copy expired. I did enjoy what I read of it.

Well darn. I had gotten an ARC download from Penguin First Reads but it expired before I could finish reading this. So I got about 300 pages in. I can appreciate the comparisons to Gabriel Garcia Marquez. Like Marquez, this book interested my brain at times but didn't engage my heart. Each chapter followed a different character from an intertwined family tree of sorts--which is a structure I loved in a different book recently--but here, it didn't work for me. I struggled to keep track of characters, figure out how the chapters related to each other....and actually, really tired of most of the chapters WAY before they were over. I can see why this book is getting the rave reviews, but I'm kind of relieved to be able to move on. Still, I wonder if maybe by the end it would have gotten to feel more cohesive?

I couldn't get into this one, and had to pass because of all the titles I have expiring soon -- definitely very creative, but the big jump in time and place and lots of antiquated references were just too abstract for me to connect. A map and/or timeline may help.

When the publisher's blurb says it's the great Zambian novel you didn't know you were waiting for, it's spot on. It is a generation-spanning novel that mainly takes place in Zambia, a landlocked Central African country nestled beneath the Congo and east of Zimbabwe. It traces the history of Zambian society from Colonial times in the late 1800's as the British and Italians explored a new frontier, built dams, and escaped their own crowded cities to a new uncharted world, through Independence, to the events in 2020. It does this by exploring families that connected time and time again over a century plus. Mainly it follows the women's sides of the generational history, but not exclusively. It is a tale of sweeping generations, not one of a single quest or battle or even the story of a single life. Just as the reader gets comfortable with the story of one character, there is a time jump and the story continues with another character, seemingly unrelated and unconnected, but eventually connected in some manner. And what incredible characters are found in these pages. There's the Girl whose hair grows all over her body and spins and spins and spins. There's the woman possessed by a crying disease. The tennis-playing English girl who loses her sight and shockingly has an interracial romance. There are the Zambian cosmonauts aching to step foot on the moon. There's the abandoned women with children. There's the stewardess on the Zambian airline who meets the doctor. There's the chaos in the streets and more. The girl who falls out of a tree. The prostitute who opens a hair salon. There are broken marriages and reunions. There are penniless wanderers and doctors with numerous houses. There's the boy who builds drones and the scientists trying to cure the deadly virus that sweeps through Africa in the eighties. It's a rich stew of characters and a book so filled with stories that it simply is not a quick read. Although this literary achievement is quite outside my usual reading genres, it is quite a remarkable book. Many thanks to the publisher for providing a copy for review.

3.5 stars The Old Drift is a prodigious undertaking both in scope and time span. Set in Rhodesia/Zambia from 1903 to 2023, The Old Drift starts off as a historical fiction and ends as a futuristic parable. It is a generational tale that is as much about what makes a nation as what makes a family. In this debut novel Serpell addresses colorism, class differences, gender politics and revolution. She draws the reader's attention to the meek and disenfranchised while questioning the definition of progress. The narration is punctuated by poems told by a chorus of pests that correlate to the different time frames. Starting with colonialism (the mosquito/malaria), merging into capitalism (HIV/AIDS) and eventually ending with consumerism (drones), these pests serve as a metaphor for the human parasite. Cannabilizing the land from within, the colonist displaces the native, the capitalist mines the land of its natural resources and the consumer alters the environment. Although cleverly written, it took me a while to get into this book due to its many characters and elliptical nature. Not until about the halfway point did I firmly have the connections in place. At first I was frustrated by the organization of the book, my interest level waxing and waning between chapters. But when I reached the end and realized that this "Archimedean spiral" was intentional on Serpell's part, I had to applaud her for carrying out this feat. I am glad that I stuck with this book and can see why The Old Drift is getting so much critical acclaim. The writing was exquisite, the reader is left with razor sharp focus and portentous warning for our times. Special thanks to First to Read, NetGalley, Crown Publishing and the author Namwalli Serpell for access to this work of fiction.

 


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